DivingBoard

    2 Nov 2009

    I promise I have been up to no good.

    I promise I have been up to no good.

    18 Oct 2009

    Lessons learned

    I have learned a lot about myself every time my heart gets broken.  And in the almost 30 years that I have been on this earth, I have had some doosies.  It all started in kindergarten—yeah, we’re goin’ there—with a boy who instead of sharing his crayons with me, would rather run around during recess pulling my skirt up in front of the other boys in class.  Sometimes, he’d be really nice and do nice things like let me cut the line ahead of him or lie next to me during nap time, but most of the time he was a jerk.  So I started wearing shorts under my skirt uniform and then when he tried to pull my skirt up again, I tripped him.  That was the end of him.

    Then in 7th grade, there was another boy who walked me to my locker in between classes and wrote me funny letters with drawings of Taz, my favorite Looney Tunes character.  Sometimes he would hold my hand and we would walk home without saying anything, sometimes we would run around during P.E. laughing and being silly.  For Valentines Day, he gave me a Troll (remember those?) with purple hair and a purple jewel on his belly.  He was the perfect friend for a girl who had no friends, in a new country full of strangers and strange things.  He broke my heart only because before we knew it, it was the summer time, and 3 months apart for two 13 year olds is an ocean of time.

    In high school heartbreak was a way of life.  That’s what happens when you stick a few hundred teenagers under one roof for 8 hours a day.  But as intense and immediate feelings seemed to be when you’re 16—as you think of what to say when your crush finally talks to you, or as you hope that the cute boy in Math class would ask you to prom—bouncing back from a break-up seemed easier.  Perhaps it’s because at that age the possibilities seem endless, and the world is just one big playground.  So while I slow danced cheek-to-cheek with a cute boy, to Janet Jackson’s “Again” or Boyz II Men’s “I’ll Make Love to You” or to Jodeci’s “Come and Talk to Me,” and everything is so perfect that it doesn’t matter that we’re in the cafeteria and that the floor’s a little sticky or that in 3 minutes, the song will be over and I’d have to go home, I always felt like this was only the beginning and that there will be infinite perfect moments like this with other boys, and that the world was indeed my playground.

    Then you get older and boys become men, and things become more serious and somehow those magical moments on the dance floor become so few and far between that they are regarded as myths or worse, fairy tales, lies that they tell us to keep us believing and hoping for things that don’t seem to exist.  And just when you stop believing, something happens, and you meet someone who takes your hand, makes you laugh at silly jokes, writes you letters and then dances with you, cheek-to-cheek and makes you feel drunk without ever drinking a drop of wine.  But as soon as you begin to believe in magic again, he is gone, and all you have left are memories, approximations of the actual experience, phantoms in the spaces where he used to be.  Suddenly the possibilities become eclipsed by the pieces that you are left to pick up and the self you have to restore.

    But despite the loss, the disappointment and the broken promises, despite making grown men cry and the tears that I’ve shed on my own, I still choose to believe in amazing possibilities.  I guess that’s the most important lesson learned from all these years: that there is life after what seems like the greatest of losses, that while there are jerks who will embarrass you and leave you hanging, there are still men who can make you laugh and who’ll silently hold your hand as you walk home and that heartbreak can actually fortify the belief that there are still infinite magical moments to be had on the dance floor.  This is why despite it all, I will continue to wear my heart just where it has always been, exposed and unguarded, in danger of being broken, yes, but always remaining open to the glorious possibilities that lie ahead.

    13 Oct 2009

    And we're off! An ode to Fall.

    Fall is in full swing and I am back after taking a much needed mental break.  Blogging, at least when blogging about one’s life, can become really involved and exhausting.  And after facing some of my hidden fears and anxieties in the first few entries, I was already eager to return to my hidey hole, where it’s warm, safe and full of denial.  I do have a reputation to live up to which involves a very happy poker face, something that doesn’t really go well with neurosis.  The good thing about blogging is that it keeps the crazy in check and, well, I really need to keep the crazy in check.  So here we are!

    The fall and winter seasons are my favorite time of the year.  For many, it’s the spring, the eternal symbol for renewal, when flowers start to bloom, the ice melts, birds begin to chirp and hibernating bears come out squinting at the sun, ready to live in the light again, like a scene from some 1950s Disney cartoon.  This is like some nightmare for me.  A nightmare compounded by allergies, bugs and Easter bunnies.  Yikes!  For some summertime is the best time and, while I may love the beach, boogie boarding and long flowy dresses like any true blooded Californian, the summer for me means questionable employment and being completely alone with my dissertation and my thoughts all the damn time.  Just awful!

    So here we are.  The season which for me has always carried the most potential.  Maybe it’s because I’ve been in school for so long that my internal clock perks up when it knows to gear up for the back-to-school grind.  What a nerd.  Maybe it’s the hot, often oppressive L.A. heat giving way to crisp mornings against blue skies and fresher air.  Maybe it’s all the great clothes which mimic the rich colors of the outdoors: the brown, orange, red, plum and burgundy hues which make me oh so happy to be alive AND a girl.  Maybe it’s the fall t.v. line-up which offer a kind of solace, an escape from the scary world of recessions and budget cuts and fellowship applications and existential dilemmas.  There is a comfort in knowing that on Wednesday, I can expect to be entertained by the best show ever (Glee!), even if it’s just for an hour.  More and more, I am thankful for small pleasures.  Maybe it’s the beginning of the holiday season, a nightmare for many, but for me it signals family, food, San Francisco lights and marveling at the passage of time embodied by nieces and nephews who I will always see as babies, despite how quickly they grow into amazing little people.  I suppose it’s all of these things and they are all very good reasons to feel alive and hopeful which seems to carry over as the the Fall melts into winter cold.

    Yes, here we are, finally! Hello Fall, my name is Lisa and I am your biggest fan.

    29 Aug 2009

    It seems every year, we in the Humanities have to justify our existence.  {{{{{SIGH}}}}}

    It seems every year, we in the Humanities have to justify our existence.  {{{{{SIGH}}}}}

    29 Aug 2009

    Grand narratives

    This week I spent a lot of time talking to my students about critiquing grand narratives, like the Enlightenment, for example.  The movement of writers and thinkers and artists who brought to us reason and science, also gave the Western world the ideology to justify colonial conquest, all for the sake of saving little brown and black brothers from thier savage selves.  Grand narratives are developmental and universal, teleological stories that supposedly apply to us all.  I spend a lot of pages in my work messing with those kinds of narratives, and rather than find understanding in the rigid path of history—the causes and effects of “big” events in our past which should shed light on our present moment and perhaps even the future—I look for meaning in the meanderings these narratives take.  Always, always I search for the counter, the thing that tells a different, often antithetical story, whatever might be hiding in the shadows of the events marked into certainty by our history books.  Always, always I try to seek out the secret whispers, the thing hiding in plain sight, in order to unmask the fallacy that we, every single last one of us, should be following a pre-determined path or a designated timeline.

    I have come to be suspicious of grand narratives—like a good academic should—and yet I find it hard to avoid these so-called universals in my own life.  Where was it that said we, every single one last one of us, must follow the same path?  I have yet to find a believable argument for this, but every where I look, I see the results of time marching onward, as if it had always been this way forever and ever, as if this was the only tried and tested truth: we are born, we grow up, we go to school, we go to work, we find mates, we have children, we buy homes and cars and stuff in between, we grow old.  Do we all merely enact variations of the same tired old story?  Where are the beautiful meanderings, the whispers, the thing hidden by shadows, the counter?

    In life, as with my work, I search for other paths.  Perhaps this is why in life, as with my work, I often find myself unsatisfied.  It took me quite a bit of time to search for the appropriate word to describe how I feel, but “unsatisfied” seems right.  I feel like I am in a perpetual search for something different, something I have yet to see, something else, something more.  All this in an effort to find something better.  Better than what? I don’t really know.  Not knowing—this perpetual stance, teetering at the edge of the diving board—is the hard part.  It is a daily struggle for me not give up all the uncertainty of my life for some stability.  Always, always I re-evaulate the choice that I have made to delineate from the given path.  Always, always I fight with the desire to seek comfort in the conventional: normal job, normal house, normal husband, normal 2 and 1/2 children, normal dog, all under a normal sky.  But while this kind of life may prove enough, and even blissful, for many, for me it feels exactly like screaming in desperation without ever being heard.

    So I keep searching, not for perfection, but for the better:  for better words to fill the page, better ways of understanding big events, better methods for seeing through the masks, better moments in my life, better paths to walk than the one laid out in front of me.  Perhaps I will find whatever “better” I am always looking for, perhaps I won’t.  That’s the fear that I live with everyday, and oh boy, as I become older and see all those around me begin to follow the path, this fear becomes all the more potent.  Maybe they’ve got it all right and I’ve got it all wrong.  Maybe at the end of the day, we are all looking to create our own individual narratives, no matter how similar they may look.  Whatever may be the case, if given the choice, I will always, always opt for the search over the settling, because for me, whatever beauty is left out there to behold will always come from forsaking the tried-and-so-called-true, for the sake of creating new narratives to live and tell.

    14 Aug 2009

    Heaven.
(via bookshelves)

    Heaven.

    (via bookshelves)

    14 Aug 2009

    Writing onward

    For a long time I wasn’t able to write any part of my disseration.  At first, I thought it was because of brutal prospectus defense, and I guess for a while that was the reason.  I was working on this dissertation proposal for so long and the whole process, punctuated by the trauma from the defense, left me physically, emotionally and mentally exhausted.  I allowed myself a little vacation and figured that after some rest, and perspective, I’ll immediately bounce back and pick up where I left off, maybe even gain a renewed sense of purpose.

    The first month after deciding to take a break flew by and before I knew it the holidays were staring at me in the face and I was caught up in family, friends, turkeys, Chirstmas trees, lights, presents, fireworks and then the new year.  As school started again and I began to settle back into teaching, I had hoped that having a solid routine will finally get me back on track, or at the very least get me to face the copies of my dis proposal hidden away in my desk in a green folder with the comments from my committe, just waiting to be read.  But as January wore on and February came along, that green folder remained in that drawer, forgotten and it seems, for the moment, abandoned.

    See, this was the time when my four and a half year relationship started to unravel. Again.  We broke up once before, but we decided to spend all of the previous summer and fall trying to rescue the life that we’ve built over the years.  We spent Valentine’s Day weekend with my family in Lake Tahoe but the whole time I knew that we were beyond repair.  As February faded into memory, our life together—-my life as I knew it—-also suffered the same fate.

    I’m not going to bore you with the details of why it fell apart, because in many ways I am still trying to sort through and make sense of it all.  I will say though that for me, the most difficult part about ending a relationship with someone is allowing him to become, once again, a stranger.  His face and all its contours, his voice and the way that it sounded when he laughed or called my name, his foot that touched mine as we slept on opposite sides of the bed, his hand on my face gently waking me up from a bad dream—-I had to let go of it all and instead face the empty spaces where these lovely familiar things used to be.

    As the days turned into weeks and into months, I eventually made my way back to that green folder.  It was actually almost an accident because I was looking for some other piece of paper when I pulled out my forgotten dis proposal.  Absent-mindedly, I opened the folder and leafed through the pages.  As I began to read, touching the words on the page with my fingertips, it felt as if some other person had written this document.  The thing that I spent months writing and researching and years preparing for through coursework, the one thing that I knew best because it was my project, my baby, felt unfamiliar, like stranger.  After everything that’s happened, how can I bear to let go of another lovely familiar thing?

    As you may have guessed, I didn’t have to let go this time.  It seems I had to re-introduce myself to my own work, and re-discover the reasons why these words were on these pages.  I had to get to know the films and the novels and figure out why I decided to build my project around them.  Don’t get me wrong, the process of writing a dis remains a hard, often contentious road, but FINALLY!  I am writing again.

    As the my old life makes way for the one that I am living now, I am slowly but surely falling back in love with my work, which means that the paralysis that I once suffered was finally over.  But more importantly, this re-discovered love means that despite the loss of many familiar things, somewhere under all that rubble, I am still here—-bruised and a bit damaged, yes, but not beyond repair.  So, I continue to read and write, fumble once in a while and to make peace with all that is lost.  All of this this in anticipation of one day finishing my dissertation and also discovering anew, more permanent and lovely familiar things.

    12 Aug 2009

    Yes, why did I decide on grad school again?

Source: http://www.phdcomics.com/

    Yes, why did I decide on grad school again?

    Source: http://www.phdcomics.com/

    11 Aug 2009

    Life is beautiful.

    This escapes me more often than I care to admit.  In fact, I forget so much that I have become a genuine curmudgeon.  (Wow, I don’t think I’ve ever used that word in a sentence before.)  But who can blame anyone for being this way when it seems as if our world is falling apart at the seams?  When we are inundated with “bad” news at every turn, when hope and change (remember that euphoric slogan?) has been replaced by the hysteric voices of Birthers and old people in town halls who think that health care reform includes a plan to euthanize them.  And that’s just the ridiculous.  We’re not even talkin about actual pain and misery.

    As an avid news reader and watcher, I often find myself yelling at the t.v. or my computer, mad, annoyed, panicked and in despair.  And of course, because I am a self-centered academic, these feelings become translated into my own neurosis about my work, feeding the existential dilemmas that seem to be a part of my daily life: Does any of this work matter?  To whom? Who cares when exactly 5 people (my committee members) will end up reading this?  I should’ve studied law, or medicine or business, computers or something that will make me money, then at least I’ll have that.  And maybe a husband too.  What’s the freakin point when the world sucks ass?  Really mature, huh?

    But just this afternoon, I was driving on Beverly Glen, on my way home from teaching and I see this little boy in a white karate outfit, skipping from the car to his house, cluthching a little red gum ball machine, filled half-way with colorful little gum balls.  He had the biggest smile, which in turn made me smile, as I squint through the sun that glinted through my sun glasses.  It was the perfect image of happy.

    As I describe this moment you all, my hypothetical readers, I’m slightly annoyed by my own sentimentality, which is a grave indication that I have become so jaded over the years that I even criticize some small thing which allowed me, for a split second to move outside of myself and feel a tinge of happiness.  Has being in academia all these years and writing this dissertation and the failure of my last relationship brought me to this place of being unable to recognize a good thing, a perfect moment?

    I don’t even know how to begin to answer that question.  I am afterall, only human, fallible, vulnerable, imperfect.  But I guess that’s the point, right?  That I am human and that I should allow myslef the chance to be angry or annoyed or to feel pain and to feel like I got the short end of the stick.  But then I should also allow myself to smile, to appreciate the big and small blessings of the everyday, to recognize that I have got it kinda good and be okay with that and not feel guilty because I am who am, standing where I am standing, in this space and time of privilege, in the ivory tower—-and even that is okay.  And at the end of a long day, while stuck in the notorious L.A. traffic, that it’s also okay to smile at a young boy and his gumball machine and feel, even just for a moment, utterly happy.  Yes, life is tragic and sad and miserable and unfair.  But then again, life is indeed beautiful, in many amazing ways.

    10 Aug 2009

    A hot mess!

    That is how I describe the state of my dissertation.  I have a draft of one chapter on a Filipino film and novel, considering nationalism, global capital, the New World Order, colonial legacies, etc, etc, etc.  It’s okay, not the best, but for a draft, it’s fine.  The problem is that I don’t know what the rest of the dissertation is going to look like.  After I got over the trauma of my prospectus exam, I was able to re-consider my project with the comments of my committee members in mind and, well, most of what that they told me were correct.  For one, my dis doesn’t quite know what it wants to be when it grows up.  Is it anthropological? historic? literary? on film theory?  Is it Asian or Asian American studies?  Or is it Southeast Asian?  Is it concerned w/ labor or representations of labor?  Is it really going to consider literature from the time of Rizal to now?  Clearly my dis is as schizophrenic as me.  I owe that to my varied interests, and of course, my training in Comparative Literature.

    Today I spent a large chunk of my time figuring out what to do with the hot mess that was staring at me from my computer screen.  While a lot of these questions have already been answered, the larger question looms:  What are the stakes of this project?  I seem to be coming up with the same tired suppositions, leading me to the same mistakes and pitfalls that needed to be worked out in the beginning.  I’m starting to think that my approach is all wrong.  That I am asking the wrong questions.  Or is it that I have answers to question I have yet to ask?  Either way, something is missing from the equation.  How do you solve for x when y is still a mystery?

    In the meantime, I am also working to solve a different kind of puzzle.  This one though, seems a bit easier to figure out and definitely cuter than my dissertation.  I guess it really is all about the approach: keep it light, flirty, fun and devoid of talks about politics and effects of global capital—-at least not on the first date.  Yeah, for this one, the stakes are not so high which, considering all the work I need to do for my dis, is just what I need.